Paolo Stefani (born in 1976) lives and works in France and Italy. He graduated in 2002 from The European Institute of Design, studied Physics and General Anthropology at the Ecole du Louvre, Paris.
His work has been featured in group exhibitions since1999 in Italy, France, Germany and in solo exhibitions in USA, Switzerland, Italy, Belgium, France. Many works are collected in Italy, France, Spain, Belgium and USA.
He approached painting through the practice of mountaineering, the study of science and music, animal world, mythology. He uses enamels, acrylics, pigments, clay. Organic and vegetable materials have been part of his research for a long time.
He paints on a wide range of media: printed canvas, flexible or stretched canvas, papier mâché, pages of physics books, jute, metals… His paintings are indeed metaphors coming from emotive impulses related to nature and imagination but, at the same time, its reveals how far the artist stands from the academic tradition.
Paolo Stefani can be defined as an artist who is involved in multiple types of research and who considers painting to be “an evolutionary technology” that cannot be imprisoned in purism, which must achieve the absolute escape from visual reality that cubism began in 1908.
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Short video relating back stage and opening day of "Casa di Vita" event, which presented for three months the works of 20 international artists in a place rich in art and history.
Short video relating back stage and opening day of "Casa di Vita" event, which presented
for three months the works of 20 international artists in a place rich in art and history.
AFFORDABLE ART WORKS
All along the incongruous time of the pandemic, which has not yet failed, many artists have sought new forms of expression, sometimes with unexpected results.
Paolo Stefani discovered that of the union of the painted work, therefore of matter, with the digital expression devoid of body, therefore immaterial.
The image of the photographed painting is transformed into a digital signal that integrates another one coming from a graphic-pad generating the virtual transformation of the initial image, altering its meaning and content. This new creature is erased with a click, but printed it recovers physical attributes.
In fact, this work represents a coherent development of a process that started in 2009 and later led to the introduction of major projects.
The drawings, which reveal the artist's know-how smiling with irony, with "olfactory pigments", to the misdeeds of society, printed on artistic paper, authenticated and numbered by the artist, can be acquired for an affordable price.
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